There are ethernet to ADC boxes too, as well as speakers with an ethernet ports (Dante) on the back, amplifiers with Dante inputs. For example, if you had a powered speaker with an analog input, you'd use this output adapter to make it Dante-ready. In the Dante world, these allow you to connect legacy equipment to the network. We'll do this using the QA401 and the following pieces:ĭante AVIO Digital Output Adapter This is basically an ethernet to DAC box. So, there is a role here for testing over Dante. The mixed signals could then be sent to speakers over the same ethernet.Īnd increasingly, we're seeing the input and output of devices speak Dante. For example, they could all go to a front-of-house mixer, and some might go to both the FOH and monitor mixer. So, for live audio, you take all your mics and instruments, plug each into a mostly standard ethernet router and you can then specify in the controller where those packets should all go.
#FREE DANTE VIRTUAL SOUNDCARD SOFTWARE#
Each of these is connected to the network, and a piece of software on your PC known as a controller allows you to send any transmitter to any receiver or even multiple receivers.
![free dante virtual soundcard free dante virtual soundcard](https://ding-nemocnici-word.com/fekjz/lnthfUEQhf5d-mCjL06kQgHaET.jpg)
The larger picture for Dante is that you have lots of audio sources (transmitters) and sinks (receivers). This is important in large live sound settings where physical distances can wreak havoc with time alignment. Latency is extremely low (sub millisecond), and each endpoint maintains its own clock, meaning the latency at each endpoint can be tailored. But over the last decade or so, there's been an enormous amount of innovation around ways to carry audio over ethernet.ĭante (Digital Audio Network Through Ethernet) is a way to move many-up to 1024 uncompressed channels of audio-over a single ethernet cable with incredible reliability and redundancy. These are bundles of parallel runs of wires, with 1, 2 or 3 wires per channel. Most familiar to any that have worked in live sound is the humble audio snake. If you want to route it via Dante, just set your Dante outs from the DVS as your analogue outs source, although I did never tried it, always used thunderbolt.There are several ways to move many channels of audio over a hundred meters. On Output routing tab, just set your analogue outs to be sourced from Playback 1 and 2 (MAC Core audio) and that´s it. So, if you connect via thunderbolt, you actually don´t need the DVS at all. So the RED4 is in thunderbolt host mode and not Protools host mode.Īnyway, even in Protools host mode with an HDX card connected, we did a test and found that the Thunderbolt connection works in paralell, even if you set it to PT host. We use it as an AD/DA via Dante to the MTRX.
![free dante virtual soundcard free dante virtual soundcard](https://s3.manualzz.com/store/data/028554565_1-8aa98cfcaad1c1bc705ecaddf3092373.png)
OK, having said that, don´t take it wrong, we have a RED4 connected to a iMAC through thunderbolt, but the HDX card is connected to a MTRX. Sorry, don´t understand your issue here, if you have the gear, why don´t you try it? We had a few odd errors yesterday and wondering it was related to this.
#FREE DANTE VIRTUAL SOUNDCARD MAC#
We have a Focusrite RED 4 pre and currently running with HDX, but I wanted to route the Mac system outputs via Dante Virtual Sound Card to the RED 4 outputs 7/8. Hello, Has anyone know if its OK to run Dante Virual Sound Card as the same time as HDX system.